{"id":51,"date":"2021-10-04T12:30:11","date_gmt":"2021-10-04T12:30:11","guid":{"rendered":"http:\/\/www.mustafagunaydin.gen.tr\/?page_id=51"},"modified":"2021-10-06T08:28:37","modified_gmt":"2021-10-06T08:28:37","slug":"escrima-kali","status":"publish","type":"page","link":"http:\/\/www.mustafagunaydin.gen.tr\/?page_id=51","title":{"rendered":"ESCR\u0130MA KAL\u0130"},"content":{"rendered":"
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ARN\u0130S KAL\u0130 ESCR\u0130MA NED\u0130R<\/strong><\/p>\n<\/div>\n\n

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Kali, Escirima ve Arnis, Filipinler\u2019e \u00f6zg\u00fc savunma sanatlar\u0131d\u0131r. \u00e7e\u015fitli silalhlar\u0131 kullanabilme bilgisini i\u00e7erir. Arnis, Filipinler\u2019in kuzeyine, Escirima merkezi ve Kali g\u00fcney b\u00f6lgelerine ait savunma sistemleridir. Buna g\u00f6re, her birinin y\u00f6resel bir do\u011fas\u0131 vard\u0131r. Buradan yola \u00e7\u0131karsak; Escirima Manila \u00fczerinden merkezi adalarda ve Kali\u2019de Mindanao taraflar\u0131nda kullan\u0131lan sistemlerdi. Fakat t\u00fcm bunlara ra\u011fmen her k\u00f6y\u00fcn, hatta her ustan\u0131n tarz\u0131nda farkl\u0131l\u0131klar g\u00f6zlenebilirdi. Daha \u00f6nemlisi bu sanatlar a\u00e7\u0131s\u0131ndan Illistrismo, Cabbellero ya da Cabales gibi birimlerin \u00f6nemlilik arz etmesidir.<\/p>\n<\/div>\n\n

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TAR\u0130H\u00c7E <\/strong>:Kali, Arnis ve Escirima\u2019dan daha eski bir sanatt\u0131r. Ve i\u00e7erdi\u011fi teknikler a\u00e7\u0131s\u0131ndan daha kapsaml\u0131d\u0131r.Escirima ve Arnis, Filipin halk\u0131n\u0131n \u0130spanyol istilac\u0131lara kar\u015f\u0131 savunmakta kullanabilecekleriaerodinamik ve basitle\u015ftirilmi\u015f yap\u0131s\u0131yla, geli\u015fmi\u015f bir teknik olarak ortaya \u00e7\u0131kar\u0131lm\u0131\u015ft\u0131r. Kali ise; kahramanlar\u0131n, yani \u00fcst\u00fcn sava\u015f\u00e7\u0131lar\u0131n sanat\u0131 olarak an\u0131l\u0131r. Buna ba\u011fl\u0131 olarak Escirima ve Arnis askerlerin kulland\u0131\u011f\u0131 bir sistem halini alm\u0131\u015ft\u0131r.<\/p>\n<\/div>\n\n

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E\u011e\u0130T\u0130M :<\/strong><\/p>\n<\/div>\n\n

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Kali, insan v\u00fccuduna yap\u0131labilecek uygulamalar\u0131 12 ayr\u0131 b\u00f6lgede sistemize ederken, Escirima\u2019da bu b\u00f6lgeler 8 ile 9 , Arniste ise 4 ile 6 aras\u0131nda de\u011fi\u015fmektedir.<\/p>\n<\/div>\n\n

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KULLANILAN S\u0130LAHLAR :<\/strong><\/p>\n<\/div>\n\n

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\u2022 Tek sopa ( ya da uzun kama ) \u2022 \u00c7ifte sopa veya k\u0131l\u0131\u00e7 \u2022 Uzun ve k\u0131sa ve han\u00e7er \u2022 Tek han\u00e7er \u2022 \u00c7ift han\u00e7er \u2022 Palmiye a\u011fac\u0131 esasl\u0131 sopa \/ \u00e7ift tarafl\u0131 han\u00e7er \u2022 \u00c7\u0131plak el d\u00f6v\u00fc\u015fleri ( yumruk, tekme ve yakalama ) \u2022 M\u0131zrak \/ Sopa, uzun silahlar ( iki elle kullan\u0131lmaya elveri\u015fli silahlar ) \u2022 E\u011filebilen ve b\u00fck\u00fclebilen silahlar ( k\u0131rba\u00e7 v.b. ) \u2022 F\u0131rlat\u0131labilir silahlar \u2022 Mermili silahlar ( yayl\u0131 silah \u00e7e\u015fitleri; ok\u00e7uluk gibi\u2026) \u2022 \u0130yile\u015ftirme metodlar\u0131 (geleneksel t\u0131bbi sanatlar )<\/p>\n<\/div>\n\n

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\u0130lk bak\u0131\u015fta dizayn edili\u015f itibariyle, Kali\u2019nin bir b\u0131\u00e7ak sanat\u0131, Escirima ve Arnis\u2019in de sopa kullanma sanat\u0131 oldu\u011fu g\u00f6r\u00fcl\u00fcr. Bu sanatlar, u\u011fra\u015fanlar\u0131n\u0131n ve okullar\u0131n\u0131n tart\u0131\u015fma konusu haline gelmi\u015ftir.<\/p>\n<\/div>\n\n

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Bu sanatlar\u0131n en b\u00fcy\u00fck \u00f6zelli\u011fi, geometriyi m\u00fckemmel kullanmalar\u0131d\u0131r. Sald\u0131r\u0131da, savunmada ve hareketlerde \u00e7izgiler ile a\u00e7\u0131lar b\u00fcy\u00fck \u00f6nem ta\u015f\u0131maktad\u0131r. Bunun yan\u0131nda; ellerin ba\u011f\u0131ms\u0131z kullan\u0131m\u0131 veya el ve ayaklar\u0131n ayn\u0131 anda iki farkl\u0131 metodu uygulamas\u0131, uzun egzersizlerden sonra, ula\u015f\u0131labilen y\u00fcksek seviyelerde bir beceridir.<\/p>\n<\/div>\n\n

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Filipin stilleri, sald\u0131r\u0131lar\u0131 silahlara g\u00f6re s\u0131n\u0131fland\u0131rmaz. V\u00fccut enerjisinin y\u00f6n\u00fcne g\u00f6re ay\u0131r\u0131r. \u00d6rnek olarak; kafaya yap\u0131lan bir sald\u0131r\u0131, y\u00fcksek yanal sald\u0131r\u0131 terimleriyle analize edilmektedir. Kar\u0131n b\u00f6lgesine yap\u0131lan yumruklu bir sald\u0131r\u0131, ayn\u0131 b\u00f6lgeye yap\u0131lan b\u0131\u00e7akl\u0131 sald\u0131r\u0131yla e\u015fde\u011fer tutularak enerjinin y\u00f6n\u00fc ayarlan\u0131r. \u00d6\u011frenciler ata\u011f\u0131n enerjisiyle ba\u015fa \u00e7\u0131kmay\u0131 \u00f6\u011frenirler. Daha sonra bu bilgiyi, \u00e7e\u015fitli uzunlukta ve tipteki silahlara uygun hale getirirler.<\/p>\n<\/div>\n\n

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\u00d6\u011frenciler, \u00e7\u0131plak elle \u00f6\u011frenilen teknikleri ilerleyen zamanlarda \u00e7e\u015fitli silahlarla kullanmay\u0131 \u00f6\u011frenirler. Bu sistem genel olarak her silah\u0131 kullan\u0131labilir hale getirmektedir.<\/p>\n<\/div>\n\n

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Filipin savunma sanatlar\u0131nda a\u011f\u0131rl\u0131k ayak hareketleri, hareketlilik, v\u00fccut ve pozisyonlardad\u0131r. Ayn\u0131 kavram; ataklar\u0131n a\u00e7\u0131lar\u0131, sapmalar, tuzaklar, ge\u00e7i\u015fler ve di\u011ferleri farkl\u0131 s\u0131ralamalarda benzer durumlara uygulan\u0131r. S\u0131ralamalar\u0131 anlamak ve bunlar aras\u0131ndaki ge\u00e7i\u015fleri uygulamak \u00f6nemlidir.<\/p>\n<\/div>\n\n

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Filipinliler, geometrik \u015fekillerden yararlanarak, bunlar\u0131 d\u00f6v\u00fc\u015f pozisyonlar\u0131na ve hareket kombinasyonlar\u0131na entegre ederek, d\u00f6v\u00fc\u015f\u00e7\u00fclerin pozisyon ve hareketlerini kendi avantajlar\u0131 haline getirmeyi ba\u015farm\u0131\u015flard\u0131r. Baz\u0131 stiller keskin hatl\u0131 blok ve vuru\u015flar\u0131 kullan\u0131rken (Wing Chun\u2019da oldu\u011fu gibi), baz\u0131lar\u0131da m\u00fcmk\u00fcn oldu\u011funca i\u00e7ine girmeye \u00e7al\u0131\u015f\u0131r. \u00d6\u011frencinin yetene\u011fine g\u00f6re de\u011fi\u015fen sistemlere sahiptir.<\/p>\n<\/div>\n\n

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Filipin sanatlar\u0131n\u0131n \u00e7o\u011fu ama \u00f6zellikle Kali, rakibini silahs\u0131z hale getirme konusunda tam bir uzmanl\u0131k sanat\u0131d\u0131r. Bu genellikle, nazik bir \u015fekilde olmaz. Kolu k\u0131rmak ya da elde bulunan silah\u0131 d\u00fc\u015f\u00fcrtmek gibi sonu\u00e7lara var\u0131r.<\/p>\n<\/div>\n\n

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Filipin sanatlar\u0131n\u0131n bir\u00e7o\u011fu halen baz\u0131 \u00fclkelerin gizli servisleri taraf\u0131ndan \u00f6\u011frenilmektedir. Ayr\u0131ca Filipin sanatlar\u0131, insan zekas\u0131n\u0131n savunma sistemleri a\u00e7\u0131s\u0131ndan en b\u00fcy\u00fck \u00f6rneklerinden biri olarak kar\u015f\u0131m\u0131zda durmaktad\u0131r.<\/p>\n<\/div>\n\n

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FMA TEKN\u0130K TER\u0130MLER<\/strong><\/p>\n<\/div>\n\n

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Filipin Sava\u015f Sanatlar\u0131nda s\u0131k\u00e7a kullan\u0131lan bu isimler bir\u00e7ok sistemin de ortak adland\u0131rmas\u0131d\u0131r.<\/p>\n<\/div>\n\n

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Mesafeler:<\/p>\n<\/div>\n\n

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–Corto :<\/strong> Yak\u0131n mesafe -Medio : Orta Mesafe -Largo : Uzun Mesafe<\/p>\n<\/div>\n\n

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\u2013 BARAW <\/strong>: B\u0131\u00e7ak d\u00f6v\u00fc\u015f\u00fc (FMA pop\u00fcler \u00e7arp\u0131\u015fmalardand\u0131r.)<\/p>\n<\/div>\n\n

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\u2013 DUMOG<\/strong> : Yer d\u00f6v\u00fc\u015f\u00fc, bo\u011fu\u015fmas\u0131 (FMA baz\u0131 sistemlerde \u00e7ok pop\u00fclerdir. Hatta bu d\u00f6v\u00fc\u015flerin aletli olarakta yap\u0131lmaktad\u0131r. Fakat yeterince yayg\u0131n de\u011fildir.<\/p>\n<\/div>\n\n

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Nedeni FMA\u2019c\u0131lar yerde kalmay\u0131 sevmez. En etkili \u00e7\u00f6z\u00fcm ayakta bulunmakt\u0131r.)<\/p>\n<\/div>\n\n

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\u2013 PANANTUKAN<\/strong> (Panutukan-Suntukan di\u011fer isimleridir) : Aletsiz el \u00e7al\u0131\u015fmalar\u0131n\u0131n genel ad\u0131d\u0131r.Filipin boksu olarakta ifade edilir.<\/p>\n<\/div>\n\n

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\u2013 TADYAKAN<\/strong> (Panandyakan-panandiyakan) : Tekmelerin genel ad\u0131d\u0131r. FMA da bir \u00e7ok sisteminde belden a\u015fa\u011f\u0131 rakimin dengesini bozmaya dayal\u0131 ayak vuru\u015flar\u0131 mevcuttur.<\/p>\n<\/div>\n\n

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–GUNT\u0130NG<\/strong> : Makaslama anlam\u0131na gelir, eklem b\u00f6lgelerini etkisiz hale getirme veya eklemlere bask\u0131 y\u00f6ntemi ile sonu\u00e7 bulma.<\/p>\n<\/div>\n\n

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–ESPADA Y DAGA<\/strong> : B\u0131\u00e7ak ve Kama anlam\u0131na gelir. Rakibi aldatmaya y\u00f6nelik etkili \u00e7al\u0131\u015fmalar\u0131 vard\u0131r. T\u00fcm bu \u00e7al\u0131\u015fmalar, kazan\u0131mda tepkileri art\u0131r\u0131r.<\/p>\n<\/div>\n\n

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–LARGO MANO <\/strong>: Geni\u015f veya uzun el anlam\u0131na gelir. Sistemelerin kabul g\u00f6rd\u00fc\u011f\u00fc sopa \u00f6l\u00e7\u00fclerinden uzunlar\u0131 ile \u00e7al\u0131\u015fma prensibine verilen ad olarakta ifade edilir.<\/p>\n<\/div>\n\n

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–SUMBRADA<\/strong> : Kar\u015f\u0131l\u0131kl\u0131 \u00e7al\u0131\u015fmalarda, biri sald\u0131r\u0131rken di\u011ferinin kar\u015f\u0131lamas\u0131na denir.<\/p>\n<\/div>\n\n

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–HUBAD-LUBAD <\/strong>(Hubud-lubud) : Aletli \u00e7al\u0131\u015fmalarda, cisimlerin yer de\u011fi\u015ftirmesine denir.<\/p>\n<\/div>\n\n

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–Sibat BANKOW <\/strong>: Uzun sopa<\/p>\n<\/div>\n\n

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–CADENO DE MANO<\/strong> : Zincirli el anlam\u0131na gelir.elin dikey veya yatay hareket etmesiyle sonu\u00e7 bulmaya yarayan g\u00fczel bir \u00e7al\u0131\u015fmad\u0131r.(Sopa temelli bu \u00e7al\u0131\u015fma \u00f6\u011frenin ki\u015filere m\u00fckemmel h\u0131zda vuru\u015f kombinasyonu kazanmas\u0131n\u0131 sa\u011flar.)<\/p>\n<\/div>\n\n

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–LOCK AND BLOCK <\/strong>: Bloklama ve kitleme anlam\u0131na gelir. (Serrada Escrimac\u0131lar\u0131n\u0131n s\u0131k\u00e7a kulland\u0131\u011f\u0131 \u00e7al\u0131\u015fma ismidir.)<\/p>\n<\/div>\n\n

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–SERRADA<\/strong> : Yak\u0131n hareket etme anlam\u0131na gelir.<\/p>\n<\/div>\n\n

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–ESCR\u0130MA<\/strong> : \u00c7arp\u0131\u015fma, vuru\u015fma, k\u0131r\u0131\u015fma anlamlar\u0131na gelir.<\/p>\n<\/div>\n\n

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ARN\u0130S DE MANO <\/strong>: El sanatlar\u0131 ustal\u0131\u011f\u0131 anlam\u0131na gelir.<\/p>\n<\/div>\n\n

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KAL\u0130<\/strong> : Kal dan t\u00fcr\u00fcyerek zaman i\u00e7inde KAL\u0130 kelimesi kullan\u0131ld\u0131\u011f\u0131 veya KAL\u0130S (FMA k\u0131l\u0131\u00e7lar\u0131ndan biri) biri olarak ifade edilir.<\/p>\n<\/div>\n\n

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FMA baz\u0131lar\u0131nda KAL\u0130 kelimesini botanik asya \u00fclkelerinde sava\u015f tanr\u0131lar\u0131na verilen isim olarak telafuz ederler.<\/p>\n<\/div>\n\n

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FMA bir isim olarak \u00e7ok az kullan\u0131lm\u0131\u015ft\u0131r. Bir \u00e7ok sistem genelleme adlar vermi\u015ftir.<\/p>\n<\/div>\n\n

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\u0130fadeler b\u00f6lgesel olarak de\u011fi\u015fmektedir. Yukarda yaz\u0131lanlar FMA\u2019da s\u0131k\u00e7a kullan\u0131lan ortak ifade \u015fekilleri ve en yayg\u0131nlar\u0131d\u0131r.<\/p>\n<\/div>\n\n

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Babadan o\u011fula ge\u00e7en e\u011fitim \u015fekilleriyle g\u00fcn\u00fcm\u00fcz hayata farkl\u0131l\u0131klar i\u00e7ermektedir<\/p>\n<\/div>\n\n

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E\u011fitmenin sava\u015f\u00e7\u0131 yap\u0131s\u0131yla beraber teknikler farkl\u0131l\u0131klar ta\u015f\u0131r.<\/p>\n<\/div>\n\n

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8.der Grandmaster<\/strong><\/p>\n<\/div>\n\n

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GM Mustafa G\u00dcNAYDIN<\/strong><\/p>\n<\/div>\n\n

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  • \"\"<\/figure><\/li><\/ul><\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"

    ARN\u0130S KAL\u0130 ESCR\u0130MA NED\u0130R Kali, Escirima ve Arnis, Filipinler\u2019e \u00f6zg\u00fc savunma sanatlar\u0131d\u0131r. \u00e7e\u015fitli silalhlar\u0131 kullanabilme bilgisini i\u00e7erir. Arnis, Filipinler\u2019in kuzeyine, Escirima merkezi ve Kali g\u00fcney b\u00f6lgelerine ait savunma sistemleridir. Buna g\u00f6re, her birinin y\u00f6resel bir do\u011fas\u0131 vard\u0131r. Buradan yola \u00e7\u0131karsak; Escirima Manila \u00fczerinden merkezi adalarda ve Kali\u2019de Mindanao taraflar\u0131nda kullan\u0131lan sistemlerdi. Fakat t\u00fcm bunlara ra\u011fmen …<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"http:\/\/www.mustafagunaydin.gen.tr\/index.php?rest_route=\/wp\/v2\/pages\/51"}],"collection":[{"href":"http:\/\/www.mustafagunaydin.gen.tr\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.mustafagunaydin.gen.tr\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.mustafagunaydin.gen.tr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.mustafagunaydin.gen.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=51"}],"version-history":[{"count":4,"href":"http:\/\/www.mustafagunaydin.gen.tr\/index.php?rest_route=\/wp\/v2\/pages\/51\/revisions"}],"predecessor-version":[{"id":324,"href":"http:\/\/www.mustafagunaydin.gen.tr\/index.php?rest_route=\/wp\/v2\/pages\/51\/revisions\/324"}],"wp:attachment":[{"href":"http:\/\/www.mustafagunaydin.gen.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=51"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}